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The Way The Trees Are

by Big City

/
1.
Hello Winter 04:12
Can you feel the static coming? Incandescent feet of giants crossing oh the precious winds of your mind? In formation That’s how I feel right now So say hello, say hello So say hello, say hello You say hello, say hello Do you see the soundless glow from years ago being slain by all the timid goodbyes? And every bird, still, frozen Every moment will remain unspoken Stare through my thoughts for no reason Keep my sneakers for such treason Just let go of me, that’s your mission And you, don’t fail us, not this season Can you feel the frost approaching? Magnetic crying eyes of owls in oh a slowly fluttering rust Suspended in the air like if asking the dust So say hello, say hello So say hello, say hello You say hello, say hello Demons bay, I stay for no reason and let the wrong one in my prison Just let go of me, that’s your mission And you, don’t fail us, not this season Just let go of me, that’s your mission And you, don’t fail us, not this season
2.
I slip through the cracks, take your hand with a smile “wake up, wake up, wake up” My miniature you’d see if you crawled out your window Sure it’s cold these days The cobblestones they rub my cape I’ve always tried to look like a gentleman All this and more I thought while in Belmont Heights When I found someone with whom to talk alone A rustling silhouette imploring to leave this place A whole new level, a brand new day of carelessness stretches out ahead The everyday fake fir Can’t you see that you bore her? Come on, come on, come on With marble eyes I try to teach you from the hourglass, but it’s like one of these dreams where I implode into a squeal and not even I can hear myself scream All this and more I thought while in Meigs Field When I found someone with whom to talk alone A rustling silhouette unable to leave this place A whole new level, a brand new day of carelessness stretches out ahead I’d love to see your eyes glow Too bad I’m dead since I don’t know For now you can ignore me Tomorrow I’ll slip through the cracks and take your hand
3.
They had beards so we grew beards And then you grew a beard too So we all had beards when the rest grew beards There was lavish praise, wishful thinking A heartfelt photographing of common dreams We followed you into a sugarcube in the sun Once up there young pages glared Nothing shone but it was great The castle spun The walls, undone There was devotion, swoons, emotions All too lovely squalid for words And when eagles dared to flog our eyes, we took our hands and held them tight Hoping we still could make it through the night Well, everything should forever last But all the while with a smile, with our beards, our questions took us to a new church We stormed into the main hall, where mouths were filled with sudden stars There stood the knife we were divided by: Another king with a very active sleep life
4.
You can be these tides you don’t trust In the morning, after the changing of the guards and all the laughter He can be these hands, moon and milk, just right before you hold aloft the trophy Let’s murmur softly: We can be carefully laid out, paralyzed, above the sea And you, you bursting into flames, be our juggler slumped over the waves You can be our midfielder, yes you can (Slumped over the waves) You play the game the right way, yes you do (Slumped over the rules) You can be these books you can’t read In the evening, after the animals awake and the fences fracture She can be queen, phone operator, in a foreign language only you can speak, my sleeping driver We can be carefully laid out, paralyzed, above the sea And you, you bursting into flames, be our juggler slumped over the waves You can be our midfielder, yes you can (Slumped over the waves) You play the game the right way, yes you do (Slumped over the rules)
5.
Decorated with your girlfriend’s boyfriends’ ex-friends’ mist Made of one too many mornings like a rich Marwood, like a cool Withnail from the East You, you really had the nerve to announce they really had the nerve But I do remember a time yes when you used to sport your life on an empty canvas after you flung the curtains wide And I don’t know, I don’t know I got to feed your hopes from the start But you’re a big boy now I’d rather let you down Fluxing with old Einstein to the past, to when I took to the meths before I had to exile myself Arrives a time of dust, of quests, of newness in the air, of clutching onto anything and asking “Please, keep me away from prying eyes Keep me away from dreadful lips” But now, with plasticine intentions Jaded shallowness The same old little plans in your metallic universe Man, I don’t know, I don’t know I see no secret to it at all If you’re a big boy now I’d rather let you down Melting plastic aerial covered up your face Looking like the rest again That’s how I met your head
6.
The Future 02:42
7.
It was flaming hot the day your mom gave birth to you, her only son The ceiling fan cut up the sun into a puzzle on the tiles where your dad melted undecided You grew up tall in Wealth and Art Well, I guess you were just like us Some nights we used to run and hide out in the woods like fireflies The moon hung low and that was all I needed then But you needed more You settled as a beggar and asked her “May I stay in and forever stand upon your peak, with not a thing to sigh for or to seek?” And now the rain falls down The rain falls down Well, I wanted it all, yes, but not like that There will be days like giant wings right upon my shoulders And nights keen on beauty And you'll be none No, you’ll be none You’ll be none of them to me A sparrow’s purr, a dragon’s breath did toll the brilliant hour when your ten brilliant fingers assessed how much better you were than them How far better that clown could be compared to all the rest And the many miles without a clue I should cover with both hands glued to my one dream Recurring dream And now the rain falls down The rain falls down Well, I wanted it all, yes, but not like that There will be days like giant wings right upon my shoulders And nights keen on beauty And you'll be none No, you’ll be none You’ll be none of them to me
8.
You can tame the atom, be sweet as morning haze Who cares? Not me I’ll be so blissfully, blissfully unaware No matter what you throw first Everything lands the same on the waxing moon I cannot help myself from tasting her You can wear the daybreak on your new dress Steal the sea Will I care? Will I see how you, with beautiful disdain, walk on the gasoline? No matter what you throw first Everything lands the same on the waxing moon I cannot help myself from tasting her You can teach me You can feed me Brim with electricity What’s wrong? I don’t know But if you close your eyes, take my hand, be my ghost to the rhythm of destruction I impose Just close your eyes and I’ll close mine No matter what you throw first Everything lands the same on the waxing moon I cannot help myself from tasting her You’ll never know, never know, the badges I wear when I am with her, am with her How little I care when I soothe you mind, aching mind Perception Your roving soul Waning love, waning love Distance The time is now
9.
When we found your mute remains, you were dressed in a tree-shaped giant glove You stood floating like a hair in the useless sea, where no one cared Take me with you from this blemished broken world Feed me one more ace tab and let me go Here’s to you dear Andrew, no we never met You didn’t like this gaudy century and you just left When we found your giant glove, your lips shone with pomegranate juice drops You stood naked on a rock A face like one million girlfriends dumping this world Take me with you from this antiseptic land Feed me one more ace tab, make me understand Here’s to you dear Andrew, no we never met You didn’t like this gaudy century and off you went Yes, you ran away Wiped out any morning after regret left Regret, regret, regret So accurately, it was scary We’ll take it easy Won’t ever think of you as ours anymore
10.
11.
Dear Tourist 04:30
We don’t speak We’re not on speaking terms We shall probably want to live, to nightswim, nightswim Dear Vampire, embrace me, break my neck Solitude can go a long way these days, these days The wheels clatter by, we’re all mad The white lightning bolts of dawn Stroke the mossy walls and hide back The wheels clatter by, we’re all mad The white lightning bolts of dawn Stroke the mossy walls in the morning Lip-synching against the red blue sky Gymnasts say “Goodbye dear engine” as you drive by, you drive by Inhale the musty smell The silver stairs swallow you up, my dear tourist Take this train to catch that plane Been waiting since the day you called me on the blue backs of the flock and, you know Right or wrong I will stay Been waiting since the day you called me on the blue backs of the flock and, you know Right or wrong I will stay here forever
12.
Choose me from all the rest Come on my love Drive back to the future Say not a single word Come on my love I’ve fallen in love with you in the most unromantic places I’ve waited ages to put all the clocks right, drunk-dial you in the night And make your green lips part Today’s been a day and a half Come on my love It’s not possible to love and to part Computer says no I want to make Chinese eyes Have another shot of the neon lights Wreck the engine Be killed by the girl with lungs in her water lilies You made my blue lips part
13.
Ants 02:40
Let him put my watch right Let me play, knees on your floor And see your old hands feeding you When you were around there were no ants to be found, no Ask me how the music’s going and remind me so much of her Now that other feet walk this floor it doesn’t mean it’s got to be worse Now you’re not around there’ll be no ants to be found, no
14.
We carry the fire We will die in the snow If that’s the furthest we can go, that’s the furthest we can go I am just going outside and may be some time It’s alright What’s to happen? I don’t mind I know we’re done And it shows that we had some fun And it shows that you had some fun And it shows that they had some fun while we fought it to the last, while we fought it to the last While we tried to the last We should have used dogs, dogs, dogs and still more doggies But we chose the fat sirens, the cardboard boxes, the booze and the light in your eyes As we set out to seek and find and not to yield To seek and find and not to yield To seek and find We flew like imperfect birds The last place on Earth Our own demise This, on which my thoughts mostly dwell This, on which my thoughts mostly dwell This, on which my thoughts mostly dwell Sir, I’m afraid you’ll come to regret Sir, I’m afraid you’ll come to regret not taking my advice We should have used dogs, dogs, dogs Fuck the ponies But we chose to rock jumpers, to shut ourselves in a maze, to forfeit the sight of your face To seek and find and not to yield To seek and find and not to yield To seek and find It may be time to go, unfold our bare hands, step out of this tent The cold is biting, goodbye to you, off we go But everybody knows that in this fighting there’s a painless end so don't you worry No, no, no Don’t you worry

credits

released May 6, 2013

THE WAY THE TREES ARE

Borja Lasala: Piano, hammond, omnichord, vibráfono, cuerdas, sintetizadores, percusión, efectos
Hugo Lasala: Guitarra eléctrica, percusión, efectos
Miguel Yrureta: Bajo
Francho Pérez: Batería, percusión
Javier Vicente: Voz, guitarra eléctrica, steel guitar, guitarra acústica & nylon, piano, rhodes, hammond, mellotron, cuerdas, sintetizadores, wurlitzer, melódica, percusión, efectos, samples, programación

con

Dave Eringa: Percusión en My Fondly Fahrenheit
Vee & J.J. Eringa: Metales en Dear Tourist
Paula Sánchez-Lafuente: Batería en The Future
Nacho Ruiz: Teclado en The Future





Letra y canciones por Javier Vicente
Música por Big City

Grabado y producido por Borja Lasala y Javier Vicente en Zaragoza y Madrid entre septiembre de 2011 y octubre de 2012.

Mezclado por Dave Eringa en Electric Daveyland, Old Harlow, en noviembre de 2012

Masterizado por Javier Roldón en Vacuum Mastering, Zaragoza, entre diciembre de 2012 y enero de 2013. Visita www.vacuummastering.com

Diseño: rafafans. Visita www.rafafans.com

Hello Winter contiene un sample de la película The Deer Hunter (Universal Pictures, 1978)
El arte gráfico contiene elementos de la serie La Subversion Des Images, de Paul Nougé (1929-1930). Archives et Musée de la Littérature, Bruselas © Paul Nougé. Visita www.aml-cfwb.be

Big City quieren agradecer su apoyo y paciencia a María, Susana, Inés, Pat, Bruno, Claudia & Jorge, Ángel, Inma, Adela, La Lata de Bombillas, Jorge de Bautista, Gran Derby Records, Iván Jiménez, Pedro Vizcaíno, Sheriff, la familia Eringa, Gabriel y Vencerás, Miren Iza, Alondra Bentley, Moloko Sound Club, Blackula Records, Rubén Grande Rock, Raúl Julián Carpintero y a los chicos de Entretenimiento y Comunicación de Fnac Pza. España en Zaragoza

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